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       Francois Giraud's new film is certainly ambitious. The Red Violin 
        follows the life of a red violin (duh) over three hundred years, and chronicles 
        the stories of the people that it encounters. It stars, among others, 
        Samuel L. Jackson, Carlo Cecchi, Irene Graziola, Anita Laurenzi, Jen-Luc 
        Bideau, Christoph Koncz, Greta Scacchi, Jason Flemying, Sylvia Chang, 
        Liu Zi Feng, Monique Mercure, Don McKellar, Colm Feore, and more. It is 
        certainly an impressive cast, full of well known American, Italian, and 
        Chinese actors.  
      At the beginning of the film, the wife of an Italian violin maker, pregnant 
        with their child, goes to get her fortune read. She doesn't realize that 
        the fortune is not hers, but he violin's. As time moves on, the violin 
        travels to an orphage in Vienna, a concert house in England, China in 
        the midst of the Cultural Revolution, and to a present day auction house 
        in Montreal. The settings are varied and the cinematography is gorgeous. 
        Each story has its own unique feel to it. The only disappointing thing 
        is that except for the present day, each story, intriguing at first, becomes 
        easily predictable, and about halfway through each one, you know what 
        is going to happen and are just waiting for the next one to begin. Each 
        story is intercut with a little bit of Jackson in the present day, and 
        as more of the violin's life is revealed, more of Jackson's story is also 
        told.  
      The idea of following an inanimate object as it passes through the hands 
        of people is not new. ABC tried unsuccessfully a couple of years ago with 
        their series Gun.. Here, Giraud does an decent job with the idea. 
        You can't help but be riveted by John Corigliano's score, conducted by 
        Esa-Pekka Salonen with violin solos by Joshua Bell. Overall, if some time 
        was sliced off of each story, and of the entire 2 hours plus running time, 
        the life of the red violin could have been much more compelling. 
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