Ready, set, go! The Summer 1999 movie season officially opens with The
Mummy, a remake of the old 1932 Universal movie starring Boris Karloff
as the Mummy. The Mummy is more reminiscent of an Indiana Jones
movie than a horror movie. There are many special effects, a self-deprecating
protagonist, and a beautiful woman. There is lots of adventure, and a
faux romance so that most of the young boys who will love this movie will
not be turned off. The Mummy is probably everything you could and
would expect from a large summer blockbuster.
This time around, the Mummy (Arnold Vosloo, a South African actor) is
Imhotep, an ancient Egyptian priest buried alive in the lost Egyptian
City of the Dead after the Pharaoh caught him cheating with his wife.
Rick O'Connell (Brendan Fraser of Blast From the Past) is one of
the few people who know the location of the city, and Evelyn (Rachel Weisz
from The Land Girls), an amateur British archaeologist, enlists
his help in finding the city. Most people believe the city is just a fable,
she believes it is real. A rival group of Americans goes searching for
the treasure that may be in the city. After an anticlimactic race to the
city, the mummy is accidentally awakened. Now, he is unleashing the 10
plagues of Egypt upon the Earth so that he can resurrect his lover. It
is now up to Rick, Evelyn, Evelyn's brother Jonathan (John Hannah, Sliding
Doors), and the rival treasure hunters (think red shirts in the old
Star Trek) to stop the mummy and save the world.
Initial production on the movie began many years ago. The script went
through many rewrites before becoming the movie we are now familiar with.
The world got its first look at the Mummy during the 1999 Superbowl, before
many of the special effects (done by Industrial Light and Magic) were
even complete. The finished effects are good, though some of the Mummy's
henchmen look and move like something out of Clash of the Titans.
The filming took place on location in the 130-degree heat of Morocco.
The ancient city of Hamunaptra and the ruins of the temple are marvelous
sets, old decaying buildings almost crumbling in the desert heat. You
can see the ending coming a mile away, but the tongue in cheek humor keeps
the movie from getting boring. Fraser has somehow become the latest aw-shucks
movie hunk, and does pretty much the same thing here. Weisz is the typical
headstrong movie woman who is so unlike most women of her day.
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