Government censors in China go crazy at all sorts of things, so it's
amusing to think of their reaction to Lan Yu, with its taboo subject
of gay romance and its brief shots of full frontal male nudity. The genesis
behind Lan Yu is so much more interesting than the movie itself,
which comes off as a snore. The book on which the movie is based was published
anonymously on the Internet beginning in 1996. It was the first published
material to examine the lives of homosexuals in China, and become somewhat
of an underground sensation. Jimmy Ngai (The Island Tales, Hold
You Tight) adapted the material to the big screen, and the story examines
the relationship between two men and how it changes over time.
Director Stanley Kwan (The Island Tales, Hold You Tight)
seems much more interested in imagery than any sort of coherent narrative.
Lan Yu almost unfolds like a series of pictures, constantly jumping
forward in time. Lan Yu (Liu Ye, Dream of the Century, Female
Officer, Male Private) is a naive architectural student who needs
money. Chen Hangdong (Hu Jun, East Palace, West Palace, Zhongtian
Feibao) is an older business owner. He sees an opportunity
and quickly seduces Lan Yu. The caveat is that Hangdong does not want
a commitment, he only wants to have some fun. He believes that if two
people know each other too well, they have nothing left to talk about
and go their separate ways. Lan Yu consists of the two meeting
and expressing their feelings for each other, then something happening
to cause them to part.
All these events occur against the backdrop of dramatic economic and
social change in China. Lan Yu merely hints at what is going on,
usually in conversation between the characters. Events do have a direct
effect upon Lan Yu and Hangdong in a few instances, and these serve to
propel their relationship quicker towards reunification or break-up, depending
on at what point it is currently at. It never adds the depth or context
to their relationship that Kwan wants it to. And while Lan Yu may
be about an extremely taboo topic amongst the Chinese, the movie never
talks about the danger to the main characters because of their sexual
orientation.
While many of the scenes are quietly erotic, there is little substance
behind any of them. Kwan gives such brief character sketches that it is
hard to get to know who either of them really are. Lan Yu in particularly
remains a near-mystery. He rarely expresses himself, except for anger
at Hangdong's rejection. Because he keeps allowing Hangdong back into
his life, although he knows that alienation is again inevitable. The Hangdong
character generates little sympathy for the viewer. Because of his ways,
it looks like he is using Lan Yu for his own ends, but at the same time
he keeps thinking about Lan Yu when he is not there.
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